queenrafferty:

We were talking about what other people think of you. You’ve done some really big things, At some point, surely you must have been going “what if all of this falls apart”.
Oh yes, Oh yes, please don’t misunderstand, I’m certainly not in a super confident place all the time. And rarely do I finish something and say like “I nailed it”.

In the beginning, Leslie [Knope] had that cautious relationship with the cameras, but as time went on, Amy [Poehler] just kind of stopped looking at them. Amy and I never really discussed this, nor was it a conscious decision on the part of the writing staff—it just kind of stopped happening. I thought about why it was happening toward the end of season 2, and I realized that Leslie had evolved into a character for whom there was no difference in her private and public thoughts, motives, or feelings. Amy had made her into a completely consistent, hearton-her-sleeve character who was not embarrassed or ashamed by anything she ever said or did in any scenario. I remember thinking that was great, and from that moment on I used that as a North Star for writing Leslie—it became a mission statement that we would never write a story that involved her being ashamed of how she felt. It’s a pretty badass character trait, I think, and it only works because of the supreme sincerity of the actress who embodies it. (Don’t cut that part, Amy. I know you want to, because it seems braggy or something to have someone else’s notes be about how awesome you are, but don’t cut it, because it’s true, and everyone else can just deal with it.)

Mike Schur on the evolution of Leslie Knope and Amy Poehler, Yes Please. (via elizabethtinafeys)